Interlude II

Aaron Ratajczyk
A Hole in Space ATH-BER 02, 2020, 10 min.
With performer Juan Pablo Cámara

INTERLUDE

Aaron Ratajczyk, A Hole in Space ATH-BER 02, 2020

Aaron Ratajczyk is a London- and Berlin-based artist whose working practice is realised through moving image, text and performance. He graduated with a BA in Dance, Context, Choreography at HZT / University of the Arts Berlin and is currently completing an MFA in Fine Arts at Goldsmiths College, London. Aaron’s performances have been presented at the Museum of Modern Art, Warsaw; KEM, Warsaw; Yvonne Lambert, Berlin; Arti et Amicitiae, Amsterdam; NDC, Bucharest; Veem House for Performance, Amsterdam; and Import Projects, Berlin, among other venues.

Juan Pablo Cámara is an Argentinian choreographer and performer who graduated from the School for New Dance Development, Amsterdam, in 2017. His work has been presented in a variety of cities, including Buenos Aires, Amsterdam, Berlin, Vienna, Madrid and Lisbon. Juan Pablo has performed with choreographers such as Jefta van Dinther, Michele Rizzo, Adam Linder and Kat Valastur.

Sets and Scenarios is a collaboration between Jade Barget, Angela Blanc, Panos Fourtoulakis, Sha Li, Yi-Ning Lin, Charlotte dos Santos, and Lindsey Wiercioch as part of the MA Curating Contemporary Art Programme Graduate Projects 2020, Royal College of Art, London in partnership with Nottingham Contemporary.

Every evening, on the homepage, a screening programme presents works interrogating the relationship between viewer and screen as moving images penetrate retina and ear, before creeping beneath the skin.

Tuesday June 16, 8 pm

Shahryar Nashat, Image Is an Orphan, 2017, 18 min. One hour loop.

Please be aware that the work contains violent imagery.

Wednesday June 17, 8 pm

Deborah Stratman, Vever (for Barbara), 2019, 12 min.
James Richards and Steve Reinke, What Weakens The Flesh Is The Flesh Itself, 2017, 40 min.

Please be aware that works within this screening contain female and male nudity, and sexual content. 

Thursday June 18, 8 pm

Ken McMullen, Ghost Dance, 1983, 22 min. (excerpt)
Thuy-Han Nguyen-Chi, Syncrisis, movement I, 2018-ongoing, 7 min.
Mary Helena Clark, Orpheus (outtakes), 2013, 6 min.
Cerith Wyn Evans, Degrees of Blindness, 1988, 19 min.

Please be aware that works within this screening contain flashing images and lights.

Friday June 19, 8 pm

Eva Gold, Perv City (Act I), 2020, 30 sec.
Bette Gordon, Variety, 1983, 01:40:00 min.

Please be aware that some of the works within this screening contain female nudity and sexual content.

Saturday June 20, 8 pm

Sidsel Meineche Hansen, Seroquel®, 2014, 8 min.
Adam Christensen, The Last Fucking Rave, 2015, 12 min.
James Richards, Not Blacking Out Just Turning the Lights Off, 2012, 16 min.

Please be aware that works within this screening contain female nudity.

Sunday June 21, 5 pm

Closing
All moving image works presented throughout the week will be streamed together, marking the end of Sets and Scenarios‘ live programme.

Sets and Scenarios is a collaboration between Jade Barget, Angela Blanc, Panos Fourtoulakis, Sha Li, Yi-Ning Lin, Charlotte dos Santos, and Lindsey Wiercioch as part of the MA Curating Contemporary Art Programme Graduate Projects 2020, Royal College of Art, London in partnership with Nottingham Contemporary.